Sculpting Data (& Painting Networks) — Full Video

Above, a video explaining the collaborative art/theory work that my wife Karin and I have been doing lately — both as a part of the Duke S-1 Speculative Sensation Lab‘s Manifest Data project and in a spin-off project that will be going on display at Duke University next month. The video is being shown right now (at the time of this posting) at North Carolina State University — at the 6th annual AEGS conference “How do you do humanities?,” where Karin is representing the two of us and presenting alongside Amanda Starling Gould, Luke Caldwell, Libi Striegl, and David Rambo.

Wish I could be there, but I’ve got another panel here at SCMS in Montreal today…

Sculpting Data (and Painting Networks)

data-gnome-animation

On March 28, 2015, members of the Duke S-1 Speculative Sensation Lab will take over a panel at the 2015 AEGS Conference <how do you do Digital Humanities?>. (See here for the conference website, which includes the full program.) General conference info:

The conference will be held in Tompkins Hall on the NC State University campus in Raleigh, NC, on Friday, March 27th and Saturday, March 28th.  Friday evening we will host a keynote panel of Digital Humanities scholars. These scholars will discuss how they “do” Digital Humanities in their research and pedagogy. On Saturday, participants will present their research in 15 minutes presentations.
Again, the final panel of the conference, Session IV (1:55 – 3:10pm on Saturday, March 28), will be devoted to the S-1 Lab’s recent work, especially the Manifest Data project that I have been posting about here. Titled “Digital Metabolisms: Manifesting Data as a Collaborative Research Process,” the panel consists of the following presentations:

Amanda Starling Gould, Duke University, “Digital Metabolism: Using Digital Tools to Hack Humanities Research”

Luke Caldwell, Duke University, “Leveraging Benevolent Spyware for Humanities Research”

Libi Striegl, Duke University, “3D Printing as Artistic Research Intervention”

Karin & Shane Denson, Duke University, “Sculpting Data”

David Rambo, Duke University, “Manifest Data as Digital Manifest Destiny”

(Observant readers of this blog will notice that I am to give two presentations on March 28: both at NC State and at the SCMS conference in Montreal. In fact, Karin will be representing the two of us in Raleigh, but we’re putting together some presentation materials that we’re quite proud of — and that we think will creatively solve the logistical problems of being in two places at once! More soon!)

Manifest Data @ Media Arts + Sciences Rendez-Vous

manifest-data-2

This Thursday, March 5, 2015 (4:15pm, Bay 10, Smith Warehouse at Duke University), members of the S-1 Speculative Sensation Lab, including Amanda Starling Gould, Luke Caldwell, David Rambo, and myself, will be presenting our collaborative art/theory project Manifest Data. As usual, there will be drinks and light refreshments!

Emergence Lab at Duke Media Arts + Sciences Rendezvous

2015-02-24 10.28.03 am

This Thursday, February 26, 2015, the Emergence Lab (headed by media artist Bill Seaman and composer John Supko) will be taking over the Duke Media Arts + Sciences Rendezvous. If you don’t know their work already, be sure to check out Seaman and Supko’s collaborative album s_traits (also available on iTunes and elsewhere), which has been getting a lot of attention in the media lately — including a mention in the New York Times list of top classical recordings of 2014:

‘S_TRAITS’ Bill Seaman, media artist; John Supko, composer (Cotton Goods). This hypnotic disc is derived from more than 110 hours of audio sourced from field recordings, digital noise, documentaries and piano music. A software program developed by the composer John Supko juxtaposed samples from the audio database into multitrack compositions; he and the media artist Bill Seaman then finessed the computer’s handiwork into these often eerily beautiful tracks. VIVIEN SCHWEITZER

In their Generative Media Authorship seminar, which I have been auditing this semester, we have been exploring similar (and wildly different) methods for creating generative artworks and systems in a variety of media, including text, audio, and images in both analog and digital forms. The techniques and ideas we’ve been developing there have dovetailed nicely with the work that Karin Denson and I have been doing lately with the S-1 Lab as well (in particular, the generative sculpture and augmented reality pieces we’ve been making for the lab’s collaborative Manifest Data project). I have experimented with writing Markov chains in Python and javascript, turning text into sound, making sound out of images, and making movies out of all-of-the-above — and I have witnessed people with far greater skills than me do some amazing things with computers, cameras, numbers, books, and fishtanks!

On Thursday (at 4:15pm) several of us will be speaking about our generative experiments and works-in-progress. I will be talking about video glitches and post-cinema, as discussed in my two previous blog posts (here and here), while I am especially excited to see S-1 collaborator Aaron Kutnick‘s demonstration of his raspberry pi-based eidetic camera and to hear composer Eren Gumrukcuoglu‘s machine-based music. I also look forward to meeting Duke biology professor Sönke Johnsen and composer Vladimir Smirnov. All around, this promises to be a great event, so check it out if you’re in the area!

Manifest Data: Presentation Audio and Slides

2015-02-03 06.17.26 pm

Click the image above to view the slides and hear the audio track recorded at our January 21, 2015 presentation of Manifest Data, a collaborative art/theory project by the Duke University S-1 Speculative Sensation Lab (directed by Mark B. N. Hansen and Mark Olson). This is an ongoing project, with further elaborations/iterations and presentations/exhibitions in the planning (more soon!).

The presentation took place at The Edge, the new digital and interactive learning space at Duke’s Bostock Library. The presenters (in the order of their appearance) were: Amanda Starling Gould, Luke Caldwell, Shane Denson (me), and David Rambo.

For more info about the project, see here and here — and stay tuned for more!.

More about Manifest Data

DH-WhatIDoWithData-POSTERManifestDataJan21

Above, another poster for the Manifest Data event on January 21, 2015, which I posted about a few days ago. Again, we’ll be presenting “a project that includes a 3D printed manifestation of personal Internet browsing data and an AR-enhanced data-based garden gnome” (as Amanda Starling Gould summed it up succinctly). If you’re in the Triangle area, do swing by! The event is free and open to all. (And if that’s not enough to entice you: as the poster says, “Light refreshments will be served!”)

See also the posts about the project on the HASTAC digital humanities network (here and here), as well the full list of events in the Duke Digital Scholarship Services series this semester (here).

Gaming & Art

[youtube http://www.youtube.com/watch?v=ZkkJaqBbXV8]

Cory Arcangel, Super Mario Clouds (2002)

[youtube http://www.youtube.com/watch?v=yAhG0PJBQAA]

Anne-Marie Schleiner, Joan Leandre, Brody Condon, Velvet Strike (2002)

[youtube http://www.youtube.com/watch?v=8f5O5Yw9gr8]

Brody Condon, Adam Killer (1999-2001)

[youtube http://www.youtube.com/watch?v=HdAJKRpP5uU]

Cory Arcangel, Super Mario Movie (2005), part 1

[youtube http://www.youtube.com/watch?v=mAsb6LMjIrM]

Cory Arcangel, Super Mario Movie (2005), part 2

[youtube http://www.youtube.com/watch?v=C27OiaA_i14]

Cory Arcangel, Naptime (2002)

[youtube http://www.youtube.com/watch?v=rjg228x71w4]

Cory Arcangel, I Shot Andy Warhol (2002)

[youtube http://www.youtube.com/watch?v=Xs09qMExDa8]

Moose13088 (?), I Shot Cory Arcangel (2009)

[youtube http://www.youtube.com/watch?v=baIiP8re1y4]

Cory Arcangel, Beat the Champ (2011)

[youtube http://www.youtube.com/watch?v=N5UGN7tq1lQ]

Cory Arcangel, Pro Tools: Various Self-Playing Bowling Games (2011)