Digital Humanities Resources

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In preparation for the independent studies course on “Digital Media and Humanities Research” that I’ll be supervising in the summer semester 2012, I’m asking prospective students to familiarize themselves with discussions and debates around the digital humanities. To get started, I thought I’d pull together a few relevant links.

First, the four videos embedded in this post offer a quick sampling of DH projects through lightning talks by recipients of grants from the National Endowment for the Humanities Office of Digital Humanities. (By clicking on any of these videos, you will be directed to the Youtube pages where you can find links to the individual projects presented.)

[youtube http://www.youtube.com/watch?v=JFSyMgVbHpg]

Next, a really great place to get started is with a blog post entitled, appropriately enough, “Getting Started in the Digital Humanities” (over at Lisa Spiro’s blog Digital Scholarship in the Humanities). In fact, there are enough links collected there, all usefully contextualized, to get a really good feel for the type of work going on in the digital humanities, so if getting started and getting oriented were the only objectives, I could basically just leave it at that. Certainly, one could do worse than to just follow Spiro’s links (and then the further links to be found at the pages thus linked) — DH is a highly networked field of inquiry, discussion, and debate, so in this way (i.e. starting from that blog post) you’d likely run into just about all the critical sites and positions in the field in due time.

[youtube http://www.youtube.com/watch?v=RClZF4Sroi8]

Nevertheless, I also wanted to point more explicitly to some of the debates going on in and around DH, which is not only one of the fastest growing but also one of the most contested areas of humanities at the current moment. One of the best resources here is the brand new collection Debates in the Digital Humanities, edited by Matthew K. Gold. But there are (of course) also lots of relevant pieces online, and these are just a few:

Kathleen Fitzpatrick’s positive, inspiring message, “Do ‘the Risky Thing’ in Digital Humanities,” speaks to the excitement that a lot of scholars (and students) feel when they come into contact with DH. Stanley Fish’s New York Times opinion piece, “The Old Order Changeth,” puts forward a much more skeptical view of this excitement, while Fish’s follow-up piece, “The Digital Humanities and the Transcending of Mortality,” goes so far as to call it a positively “theological” fervor. Needless to say, Fish’s interventions have stirred up quite a controversy among DH people.

Though not a direct rejoinder to Fish’s criticisms, another piece by Kathleen Fitzpatrick, “Networking the Field,” might be profitably read with an eye to evaluating Fish’s take on DH; however, Fitzpatrick’s paper (originally a talk she gave at MLA 2012) is much more than that, as it offers an eloquent assessment of what she takes to be some of the central challenges (rather than theological dogmas) of digital humanities today. (Meanwhile, Fish has continued to pronounce the divide he sees between digital humanities and traditional humanities in another controversial piece, “Mind Your P’s and B’s: The Digital Humanities and Interpretation.”)

Finally, Ian Bogost has added a very different skeptical voice to the debates. Bogost is, among other things, a game designer and scholar, so his skepticism is hardly directed at the “digital” in “digital humanities.” Instead, in his posts “The Turtlenecked Hairshirt” and (the more recent) “This is a Blog Post About the Digital Humanities,” Bogost’s skepticism is directed at the self-referential, meta-level discourse about the digital humanities that he sees DH indulging in at the expense of making, building, or creating something. Whether or not one agrees with Bogost’s criticism, he certainly speaks to a central tension, and to the search for balance, between the levels of (meta-)theory and practice that in many ways shape the field of DH.

Again, these are just starting points, hardly a comprehensive guide to contemporary positions, debates, methodologies, or research perspectives. Again, for a significant step in that direction, I recommend Matthew K Gold’s new edited volume, Debates in the Digital Humanities. Finally, I welcome (and would very much appreciate) comments and links to other sites that might be of value to students just getting oriented in DH!

[youtube http://www.youtube.com/watch?v=YxQKApXu3Xk]

Bollywood Nation: Chak De! India

On Thursday, January 26, 2012, we will be screening the fifth and final film in our Bollywood Nation series: Chak De! India [Come on! India] (and not, as previously announced, Kabhi Khushi Kabhie Gham…). As usual, the screening will begin at 6:00 PM (room 615 in the Conti-Hochhaus). More information about the film can be found on imdb.com.

Cultural and Media Theory: Media in Transition

Course description for a seminar I’ll be teaching in the summer semester (April – July 2012):

Cultural and Media Theory: Media in Transition

SE 2: Di 10:00/12:00 Raum: 1502.615, Beginn: 10.04.2012

Veranstalter/in: Denson

AmerA; AAS1.2

With regard to the structural roles and relations of media in virtually every aspect of our lives, ours is an era of significant — perhaps even fundamental — change. Digital media, in particular, have transformed entertainment, social interaction, politics, art, and academia, among other areas of human activity. About that, there is widespread agreement; there is little consensus, though, when it comes to assessing the significance of these changes or determining their exact nature. Does “media convergence” characterize something unique about our culture? What is new about “new media”? To begin answering these questions, we must take a broader look at the history of media and media change. In this course, we will therefore focus not only on contemporary media phenomena, but also on a variety of earlier media transformations and transitions in an effort to better understand our present situation. With a primary emphasis on American (popular) culture, but with an eye towards global changes, we will consider moments of change and transition in a wide range of media, including the book, the cinema, recorded music, and television. Please be aware that this is an intensive theory course; there will be a heavy workload in terms of reading assignments, comprising quite a number of difficult theoretical texts. Please enroll only if you are willing to do the readings and participate actively in theoretical discussions.

Required Reading

Please purchase a copy of the following book prior to the beginning of the course: David Thorburn and Henry Jenkins, eds. Rethinking Media Change: The Aesthetics of Transition. Cambridge, Mass.: MIT Press, 2003. (ISBN: 0262701073). Please read Chapter 1, “Introduction: Toward an Aesthetics of Transition,” and be prepared to discuss it on the first day of class!

Recommended Reading

n/a

Assessment Tasks – will be specified ● Registration – StudIP 1.3.2012 – 31.3.2012 ● Size restriction – 25 ● Prerequisites – Studienleistung(en) of “Intermediate Literature and Culture” ● Studiengänge – FüB.A., M Ed. LG, 3. Fach LG, MA AAS ● Further Information – shane.denson@engsem.~

Independent Study: Digital Media and Humanities Research

Course description for an independent studies course I’ll be teaching in the summer semester (April – July 2012):

Independent Study: Digital Media and Humanities Research

SE 2: nach Vereinbarung

Veranstalter/in: Denson

AAS6

This course is designed to accompany the seminar “Cultural and Media Theory: Media in Transition,” but it is open to all students in the Master of Advanced Anglophone Studies program for fulfillment of the “Independent Studies” module. Students in the course will investigate the impact and relevance of digital media for contemporary humanities research (including studies of literature, popular culture, film and other media). Beyond conducting a theoretical inquiry, however, we will be concerned with learning to use and evaluate the techniques, tools, and methods implemented in the “digital humanities” (DH) and related areas of academic research. Thus, we will experiment with applications for textual analysis, data visualization, digital video editing, social media, and blogs, to name a few, and put them to work in academic projects. Together, students will agree on a forum for the joint presentation of their work and organize a concluding event.

Students interested in participating should start familiarizing themselves with online discussions of “digital humanities” and looking at some of the tools used in various DH projects.

Required Reading

Please refer to the course page on StudIP.

Recommended Reading

n/a Assessment Tasks – will be specified ● Registration – StudIP 1.3.2012 – 31.3.2012 ● Size restriction – 25 ● Prerequisites – none ● Studiengänge – MA AAS ● Further Information – shane.denson@engsem.~

(image by nicomachus, created via www.wordle.net for http://nicomachus.net/2011/01/digital-humanities-blog-carnival-vol-1-issue-1/)

Artificial Life and Uncanny Animation in Final Fantasy: The Spirits Within

The next meeting of the Film & TV Reading Group will take place at 6:00 pm (s.t.) on January 18, 2012 (in room 609 of the Conti-Hochhaus). Thomas Habedank will be moderating the session, for which he has chosen a very interesting article by Livia Monnet entitled “A-Life and the Uncanny in Final Fantasy: The Spirits Within” (from Science Fiction Studies 31.1 (2004), 97-121).

While focusing on the 2001 film Final Fantasy: The Spirits Within (see imdb for more info), in certain respects the paper’s topic picks up on a facet of our discussion of Romero’s zombie films–the question of the uncanny. The paper links this question to a certain historical moment and the media transition from analog to digital forms, to questions of adaptations between film and videogames, and to broader questions of “animation” as both a specific form of film and a basic impulse of film in general.

No prior familiarity with the Final Fantasy franchise or the film is required in order to participate. We will watch some relevant clips to facilitate discussion, and the topic should be conducive to discussion along the lines of a wide variety of interests in moving-picture media.

As always, new participants are more than welcome to join us. For more information about the Film & TV Reading Group, feel free to contact me by e-mail (see the “Contact” page above for the address).

Bollywood Nation: Mr. and Mrs. Iyer

On Thursday, January 5, 2012, we will be screening the fourth film in our Bollywood Nation series: Mr. and Mrs. Iyer. As usual, the screening will begin at 6:00 PM (room 615 in the Conti-Hochhaus). As indicated on our poster above, the 2002 film serves in several respects as a contrast to the other films in our series. More information about the film can be found on imdb.com.

Thank You

THANK YOU

This is just a quick thank you note to everyone involved with last week’s two overlapping events: the theme week on “Popular Seriality” at In Media Res, and the conference we hosted on “Cultural Distinctions Remediated: Beyond the High, the Low, and the Middle.”

First, thanks to my co-curators at In Media Res: Frank Kelleter, Ruth Mayer, Jason Mittell, Andreas Jahn-Sudmann, and Daniel Stein. Because of them and the external commenters, the theme week — in addition to being a lot of fun —  provided lots of food for thought and continuing conversations. Thanks also to Karen Petruska from In Media Res for guiding us through the process of setting up the theme week. And while the theme week is officially over, everything will remain online (here) and open for further comments and discussions. So if you’ve got something to say about the topic of popular seriality, it’s not too late!

Thanks as well to everyone who made the conference “Cultural Distinctions Remediated” such a success: our keynote speakers Jason Mittell (who, in case you missed it, has posted his talk here) and Lynn Spigel; fellow speakers Regina Schober, Bettina Soller, Andreas Jahn-Sudmann, Florian Groß, and Christina Meyer; my co-organizers Ruth Mayer, Vanessa Künnemann, and Florian Groß; and our great assistants Felix Brinker, Svenja Fehlhaber, and Hannah Pardey! Thanks also to our sponsors: the US Embassy in Berlin, the Deutsche Gesellschaft für Amerikaforschung, the Deutsche Forschungsgemeinschaft, Campus Cultur, and the Freundeskreis der Leibniz Universität Hannover. Thanks, finally, to everyone who attended, asked stimulating questions, and helped generate interesting discussions!

Nightmare Before Christmas

[youtube http://www.youtube.com/watch?v=5gUKvmOEGCU]

On Wednesday, December 21, 2011 (6pm, room 609 in the Conti-Hochhaus), the Film & TV Reading Group will meet to discuss Steven Shaviro’s “Contagious Allegories: George Romero,” a chapter from his now classic book The Cinematic Body. In the spirit of the holiday season, though, and in light of the fitting subject matter, we’ve decided to make it into a somewhat more festive event than usual: we’ll start off by screening the first of Romero’s zombie movies, Night of the Living Dead (1968). Glühwein and zombies: it just doesn’t get much more Christmas-y than that!

Cultural Distinctions Remediated

Our conference “Cultural Distinctions Remediated: Beyond the High, the Low, and the Middle” begins today, December 15, 2011. Jason Mittell will start things off this evening (6:00 pm in the Niedersachsensaal at Königsworther Platz 1) with a talk on “The Complexity of Quality: Cultural Hierarchies & Aesthetic Evaluation in Contemporary Television” (see also here for a preview). Tomorrow, there will be six talks divided into two panels (see here for the full program, with links to all individual abstracts). And Lynn Spigel will wrap things up on Saturday morning with her talk on “Designer TV: Television and the Taste for Modernism in Mid-Century America”.

High Art, Commercial TV, and Gender

[youtube http://www.youtube.com/watch?v=iXT2E9Ccc8A]

Here are a couple of videos relevant to tonight’s Film & TV Reading Group discussion of Lynn Spigel’s “Television, the Housewife, and the Museum of Modern Art.” Above: Salvador Dali’s January 27, 1957 appearance on What’s My Line? Below: a sequence from Barbra Streisand’s 1967 Color Me Barbra and an excerpt from Jackie Kennedy’s tour of the White House on Valentine’s Day, 1962.

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