Fembots: From Representation to Reality

deFren-Poster

On Monday, November 13, 2017 (5:30pm in Oshman Hall, McMurtry Building), media maker/scholar Allison de Fren (Occidental College) will be on hand for a screening of her 2010 documentary The Mechanical Bride and her 2015 video essay Fembot in a Red Dress. The screening, which is free and open to the public, will be followed by a Q&A.

Sponsored by the Stanford Department of Art & Art History, the Documentary Film Program, and Stanford’s Frankenstein@200 Initiative.

Claus Pias at Stanford

2017-10-18 09.13.03 am

Next week, media theorist Claus Pias, Professor for the Theory and History of Media at Leuphana Universität Lüneburg, will be visiting Stanford for a series of events: on Monday, October 23 (5:30 – 7:00pm), he will be delivering a public lecture titled “Between Information Aesthetics and Design Amplification,” which will be held in my home department of Art & Art History. (More info here.)

The following day, Tuesday, October 24 (11:30am – 1:00pm), he will be discussing his book Computer Game Worlds, which is newly translated into English, at a lunchtime event with the Digital Aesthetics Workshop. (See the poster below or find more info here.)

Claus Pias DAW poster

Digital Aesthetics Workshop: Mark B.N. Hansen, “The Ontology of Media Operations”

Mark Hansen DAW poster

I am pleased to announce the first event in the new Digital Aesthetics Workshop at the Stanford Humanities Center. On Tuesday, October 10, Mark B. N. Hansen (Duke University) will be speaking on the topic of “The Ontology of Media Operations, or, Where is the Technics in Cultural Techniques?”

Future workshops will welcome Claus Pias, Allison de Fren, Bonnie Ruberg, Jacob Gaboury, Jonathan Sterne, and more. Stay tuned!

Announcing the Digital Aesthetics Workshop

2017-10-05 02.49.55 pm

Starting this quarter, I am excited to serve as faculty coordinator for the Stanford Humanities Center Geballe Research Workshop “Digital Aesthetics: Critical Approaches to Computational Culture.” We have a great lineup for the 2017-2018 academic year, details of which I’ll be sharing here.

In the meantime, take a look at all of this year’s research workshops at the Stanford Humanities Center on their website.

What Is Monster? What Is Human? (Update)

F200 Opening Colloquium 10 2017 poster

This is the updated poster for the opening colloquium for Stanford’s Frankenstein@200 Initiative, October 17, 2017 (7:00-8:30pm in Cubberley Auditorium, Stanford School of Education). I’ll be speaking alongside Denise Gigante (English Department), Aleta Hayes (Theater and Performance Studies), Russ Altman (Bio-Engineering, Genetics, Medicine, Computer Science), and Hank Greely (Law and Genetics), moderated by Jane Shaw (Dean for Religious Life).

Free and open to the public: All humans, monsters, cyborgs, others welcome.

What is Monster? What is Human?

Frankenstein-Opening-Colloquium

Poster for the opening colloquium for Stanford’s Frankenstein@200 Initiative, October 17, 2017. I’ll be speaking alongside Denise Gigante, Aleta Hayes, Russ Altman, and Hank Greely, moderated by Jane Shaw. Location TBA.

Free and open to the public: All humans, monsters, cyborgs, others welcome.

The Video Essay: Writing with Video About Film and Media

2017-08-01 09.45.19 am

This fall, I am excited to teach a new course, “The Video Essay: Writing with Video About Film and Media,” as a part of Stanford’s Introductory Seminars program. Geared towards sophomores from any major, this small class will combine practical instruction in video editing, analysis and discussion of exemplary video essays, hands-on lab sessions, and group critique of student work.

The course draws essential inspiration from the NEH-funded “Scholarship in Sound & Image” workshop, organized by Christian Keathley and Jason Mittell at Middlebury College, which I participated in back in 2015.

More info about the course can be found on Stanford’s Introductory Seminars website.