Intermediations/MTL Presents: Ruth Mayer, “The ‘Girl’ in Weimar Germany,” February 22

I am very excited to be hosting Ruth Mayer, Professor of American Studies at the Leibniz Universität Hannover, for a series of events at Stanford this quarter. The Program in Modern Thought & Literature nominated her as an International Visitor at the Stanford Humanities Center, where she’ll present her current research in March. First, though, there are two events in MTL:

The Program in Modern Thought and Literature invites you to a special event: On Thursday, February 22, at 4pm in the Terrace Room (4th floor, Margaret Jacks Hall), Professor Ruth Mayer will be giving a talk titled “The ‘Girl’ in Weimar Germany:  Illustrated Magazines in Trans-Atlantic Circulation.” The talk will be followed by a reception with food and drink.

Please RSVP here by Tuesday, February 20, so that we have a head-count.

The talk explores the ways in which illustrated magazines of the Weimar period act contribute to a larger gendering of transnational exchange particularly through image-text doubling and shifts. It takes the Weimar society magazine Uhu as a major reference point, investigating how it modeled itself on American lifestyle and ‘smart’ magazines and made use of the iconic figure of the ‘Girl’ to carve out a spatiotemporal continuum between ‘Amerika’ and Europe. While the Girl is a figure of the stage and screen as much as of the modern magazine, it is in the magazine that this figure comes into her own. The Girl incorporates modernity as a multimodal and multifaceted configuration much like the modern magazine itself. The talk argues that the Girl enters the illustrated magazines not only as a subject matter but also as a tool of gendered self-reflection, particularly in the work of female writers, illustrators and photographers.

Prof. Ruth Mayer holds the chair of American Studies, teaching American literature and culture from the 17th century to the present time, with a strong focus on theoretical and formal questions. Her research focuses on aspects of popular culture (particularly seriality and serialization), media history, globalization, science studies, and cultural contact. Her book Serial Fu Manchu: The Chinese Super-Villain and the Spread of Yellow Peril Ideology appeared in 2013 with Temple University Press and in 2019 she co-edited Modernities and Modernization in the United States (Winter). She is currently directing the research projects “Contingency and Contraction: Modernity and Temporality in the United States, 1880-1920″ and “Multiplication: Modernity, Mass Culture, Gender.” The Program in Modern Thought and Literature is currently hosting Prof. Mayer as an International Visitor at the Stanford Humanities Center.

In addition to the talk on 2/22, Prof. Mayer will also be holding a workshop session for grad students on the following day, 2/23, from 11am-2pm in the Terrace Room. Lunch will be served.

Algorithmic Serialities

I recently gave a talk with the unwieldy title “Post-Cinematic Seriality and the Algorithmic Conditions of Identity and Difference” for the Center for Inter-American Studies at the University of Graz and the Austro-American Society for Styria in Austria (see the *somewhat creepy, but appropriately so, lol* flyer below); and on October 12, 2021 (at 6:30pm Central European time / 9:30am Pacific US time) I’ll be giving a related talk with the much more wieldy (possibly misleadingly simple) title “Seriality and Digital Cultures” at the University of Zurich’s English Department (see the flyer with registration info above).

Both of these talks are related to a larger project that I am developing, which will link seriality as a medial form (in both popular and artistic media) and as a social form (following the late Sartre, Iris Marion Young, Benedict Anderson, and others) in order to think about the ways that — with the shift from a broadly “cinematic” media regime (with its past-oriented, memorial, recording, retentional functions) to a “post-cinematic” one (with its future-oriented, anticipatory, predictive, protentional functions) — algorithmic media are poised to transform categories and lived realities of class, gender, and race.

Gender, Seriality, Mediality

I have had the good fortune to be a Faculty Research Fellow at the Clayman Institute for Gender Research over the past academic year, which has given me an opportunity to work on a new project that thinks about serialization in digital cultures as a vector of change. The larger project takes off from Sartre’s concept of “seriality” (as developed in his late Critique of Dialectical Reason) and connects it to forms of serialized media in order to think about reconfigurations of class, gender, and race. Back in March, I presented some of the work pertaining to gender and embodiment to my colleagues at the Clayman, and they have now posted a short write-up about it. Here’s the (controversial) crux:

Also enjoy this image that I used to illustrate my talk!

Video Games Have Always Been Queer: Bonnie Ruberg at Digital Aesthetics Workshop

Bonnie Ruberg DAW

On Tuesday, January 23, 2018, Bonnie Ruberg, assistant professor of digital media and games in the Department of Informatics at UC Irvine, will be presenting work from their forthcoming monograph Video Games Have Always Been Queer. The event will take place from 4-6pm in the Stanford Humanities Center Board Room as part of the Geballe Research Workshop on Digital Aesthetics: Critical Approaches to Computational Culture.

For more information, please refer to the Stanford Humanities Center website: http://shc.stanford.edu/workshop/meetings/video-games-have-always-been-queer

Fembots: From Representation to Reality

deFren-Poster

On Monday, November 13, 2017 (5:30pm in Oshman Hall, McMurtry Building), media maker/scholar Allison de Fren (Occidental College) will be on hand for a screening of her 2010 documentary The Mechanical Bride and her 2015 video essay Fembot in a Red Dress. The screening, which is free and open to the public, will be followed by a Q&A.

Sponsored by the Stanford Department of Art & Art History, the Documentary Film Program, and Stanford’s Frankenstein@200 Initiative.

Hypermasculinity and Digital Games

gender_hypermasculinity

On Thursday, June 27, 2013 (10:00-12:00, room 306 in the Conti-Hochhaus), the English Department and the Gender Studies program of the Faculty of Humanities will be hosting a guest lecture by Sven Schmalfuß of the University of Regensburg. The lecture, titled “Hypermasculinity and Digital Games: Unreal Beefcakes, Homophobia and Gender-Games,” is free and open to all. For more information, please contact Wolfgang Funk.

High Art, Commercial TV, and Gender

[youtube http://www.youtube.com/watch?v=iXT2E9Ccc8A]

Here are a couple of videos relevant to tonight’s Film & TV Reading Group discussion of Lynn Spigel’s “Television, the Housewife, and the Museum of Modern Art.” Above: Salvador Dali’s January 27, 1957 appearance on What’s My Line? Below: a sequence from Barbra Streisand’s 1967 Color Me Barbra and an excerpt from Jackie Kennedy’s tour of the White House on Valentine’s Day, 1962.

[youtube http://www.youtube.com/watch?v=n61ULav1uYg]

[youtube http://www.youtube.com/watch?v=Ft1wgQ0VYrc]